VISUAL CULTURE
Publications: 2005
2007 / 2006 / 2004 / 2003 / 2002 / 2001 / 2000
Paul Antick and Andrew Kearney, ‘Design No.14 – edition 1 and 2’, in Ruairí Ó’Cuív and Clíondhna Shaffrey, An Tír is Sona ar Domhan/Le Pays le Plus Heureux au Monde/The Happiest Country in the World, exhibition catalogue published in conjunction with the exhibition An Tír is Sona ar Domhan/Le Pays le Plus Heureux au Monde/The Happiest Country in the World, Dublin: Ofig na hOibreacha Poiblí, Lorient: Festival Interceltique, 2005
Suzannah Biernoff, ‘Carnal Relations: Embodied Sight in Merleau-Ponty, Roger Bacon and St Francis’, in the Journal of Visual Culture, Vol. 4.1, April 2005
Gerardo Mosquera and Jean Fisher eds., Over Here: International Perspectives on Art and Culture, Camb., Mass.: MIT Press, 2005
Elizabeth Lebas, ‘Sadness and Gladness: the Films of Glasgow Corporation, 1922-1938 Part 1’, Film Studies, Autumn. Also forthcoming in Leonardo Ciacci, a cura di Cinema e Fotographia per la Storia della Citta, Milan, 2005
susan pui san lok, ‘A – Y (Entries for an Inventionry of Dented ‘I’s)’, essay in David A. Bailey, Ian Baucom, Sonia Boyce eds., Shades of Black, London: inIVA, North Carolina: Duke UP, 2005, pp.59-66
susan pui san lok, ‘Outtakes’, essay in Dennis Atkinson & Paul Dash eds., Social and Critical Practices in Art Education, Stoke on Trent: Trentham Books, 2005
susan pui san lok, ‘If You Were There’, exhibition catalogue essay commissioned for Mayling To: If You Were There, University of Hertfordshire: Margaret Harvey Gallery, 2005
susan pui san lok, Artist’s pages in Melanie Keen & Eileen Daly eds. Necessary Journeys, London: Arts Council England, 2005
susan pui san lok, NEWS, artist’s book, London: SPSL, 2005
Aoife Mac Namara, ‘Railway Lands: Writing Alongside the work of Eric Walker,’ in Aoife Mac Namara and Emily Falvey, Railway Lands, Ottawa: Ottawa Art Gallery, 2005
Kobena Mercer, ‘Iconography after Identity’, essay in David A. Bailey, Ian Baucom, Sonia Boyce eds., Shades of Black, London: inIVA, North Carolina: Duke UP, 2005, pp.49-58
Kobena Mercer, ed. Cosmospolitan Modernisms, Cambridge, Mass.: MIT Press, 2005
Paul O’Neill, Profile: Hans Ulrich Obrist, Contemporary magazine, issue 77, 2005
Paul O’Neill, The Wrong Place: Rethinking Context in Contemporary Art: An Observer’s Response, Situations Papers 1, 2005
Paul Overy, ‘White Walls, White Skins: Cosmopolitanism and Colonialism in Inter-war Modernist Architecture’, in Kobena Mercer ed., Cosmopolitan Modernisms, International Institute of Visual Arts (inIVA), London / The MIT Press, Cambridge, Mass. & London, 2005, pp.50-67, 2005
Claire Pajaczkowska, ‘Stuff and Nonsense: the Complexity of Cloth’ in Textile: The Journal of Cloth and Culture, London: Berg, 2005
Claire Pajaczkowska, ‘Urban Memory/ Suburban Oblivion’ in Urban Memory, ed Mark Crinson, London & New York: Routledge, 2005
Claire Pajaczkowska, ‘Perversion and the Parisian Avant Garde 1912-1916’ in Perversion: Psychoanalytic Perspectives, eds L. Downing & D. Nobus, London: Karnac, 2005
Rob Stone, ‘Salted Pleasures’, in Roxy Walsh (ed.), Infallible, ARTicle Press, London, 2005