VISUAL CULTURE
Publications: 2004
2007 / 2006 / 2005 / 2003 / 2002 / 2001 / 2000
Jon Bird, Molly Nesbit, Walter Grasskamp, Hans Haacke, London and New York: Phaidon, 2004
Jon Bird, ‘(Play)Time and the Image: Massimo Vitali’s Scenes of Leisure’, cat.essay for his Retrospective Exhibition, Centro per l’Arte Contemporanea Luigi Pecci, Prato, Italy. June-September 2004
Elizabeth Lebas, ‘From Beautification to Sustainability: the Inner City as Political Landscape’, in Mark Dorrian and Gillian Rose, eds. Landscape and Politics, London: Black Dog, 2004
Aoife Mac Namara, ‘Curating Derry: Monuments in the Present Tense’, in Anthony Kiendl (ed) Obsession, Compulsion, Collection: On Objects, Display Culture, and Interpretation, Banff: The Banff Centre Press, 2004
Nicolas de Oliveira, Nicola Oxley, Michael Petry, Installation Art in the New Millenium, Thames & Hudson, 2004
Paul O’Neill, Artists’ favourites: Act I & Act II, The Future magazine, 2004
Paul Overy, Visions of the Future and the Immediate Past: The Werkbund Exhibition, Paris 1930, Journal of Design History, vol.17, no.4, 2004, pp.337-357
Rob Stone, ‘The Window’s Leave: Ligatures for the Lovesick’, Johnny de Philo (ed.) Issues, University of Greenwich, London, Summer 2004
Rob Stone, ‘Dumb Sands Deportment’, Gerz, Jochen (ed.) The Anthology of Art: Art and Theory in Dialogue, Salon Verlag, Germany, 2004
Sharon Lin Tay, ‘Sustaining the Cinematic Bitch from Hell: the Politics of Dolores Claiborne within a Feminist Genealogy’, in Rikke Schubart and Anne Gjelsvik eds. Femme Fatalities: Representations of Strong Women in the Media%, Göteborg, Sweden: Nordicom, 2004, pp.219-30
Sharon Lin Tay, ‘Constructing a Feminist Cinematic Genealogy: The Gothic Woman’s Film Beyond Psychoanalysis’, in Women: A Cultural Review, vol.14, no.3, Winter 2003/4, pp.263-80
Lisa Tickner, ‘Augustus’s Sister: Gwen John: Wholeness, Harmony and Radiance’, catalogue essay in Gwen John and Augustus John, eds. David Fraser Jenkins and Chris Stephens. Tate Publishing, 2004